King's The Man In The Black Suit
The modern concept of self, and the human trait of self-awareness, have been a part of humanity since recorded history -- as has the notion of good and evil, although clearly on a sliding scale. However, it was not until the Middle Ages that the concept of the self in relation to the choices of good and evil coalesced, moving away from the supernatural "the devil made me do it," and allowing for personal responsibility. That did not change the idea that the human individual always has a choice in their path -- the euphemistic fork in the road -- do we choose good, or do we choose evil? Stephen King's short story, The Man in the Black Suit, is a modern retelling of this conflict, albeit not in the traditional manner (King). King's Devil is more like his own Randy Flagg than some of the other portrayals offered in history -- for King, the Devil is not hidden, not polite or even a sophisticated tempter as was Leland Gaunt, but the embodiment of pure, unadulterated, evil incarnate -- and evil so palpable it reeks as did the emanations from King's own Tommyknockers.
Too, this is not the Faustian conception of the Devil, evil but not horrific, "Hell hath no limits… and where hell is, there must we ever be" (Goethe). Nor is this the conniving trickster Mr. Scratch, who battles for the idea of humanity in The Devil and Daniel Webster (Benet).
King is masterful and bringing us a recurrent archetype -- innocence vs. evil with Gary, now an 85-year-old man, languishing in a nursing home awaiting death. Gary reflects back to 1914, when he was nine, a time when his brother had just died of a bee sting, and the world seemed simple,...
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